• “Watt played the final four études with lots of attention to detail, and plenty of variation in tone, from sweet-sounding notes near the fingerboard to harsher tones near the bridge...this was a compelling and stylish bravura performance...Watt’s playing was mesmerising to watch, particularly in the extended use of harmonics.”

  • “…possessed a musicality and charisma – a temperament, even – that allows one to transcend the bonds of an instrumental community”

    “…an eighteen year old phenom.” – Soundboard (U.S.A.), 2009

  • “Time stopped in this interpretation and the concentration of young Ian Watt’s guitar playing acted like a zoom lens on pain and reflection.”

    “Watt gave a dazzlingly virtuosic performance, most excitingly in the cadenza of the final movement which he had contributed.”

    “…astoundingly atmospheric playing in Rodrigo’s Concierto de Aranjuez…”

  • “Ian Watt delivered all the fire and excitement of the outer movements with bravura technical brilliance and passion. The central slow movement which is what made this concerto a worldwide favourite was stunningly played by both soloist and orchestra...”

    “…Ian Watt is a star in the ascendant.”

    “Flawless, passionate and driven…”

  • “…a guitarist of outstanding skill and originality.”